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The plot of Chandra Mukhi reminds me of a bunch of movies I’ve seen before- Superman (powerful anthropomorphic alien lands on earth), Big (boy suddenly gains the shape and responsibilities of a man), E.T. Taken together, his roles and his off-screen bad behavior create a cautionary tale of why society should not shrug off crimes with “boys will be boys.”
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That’s easier to swallow in the early 1990s, when he’s not yet 30, than it is now, when he still plays similar characters at age 52. Opposite her in this film is Salman Khan, an actor whose appeal I’ve never really gotten, frankly, but consists of blending of muscles and man-childishness into innocent, blameless violence. It’s unfortunately difficult to talk about her appeal without indulging in film industry ickiness: her huge eyes and fluency using a breathy voice gave her that Marilyn-esque ability to fuse girl and woman, and her performances are often a reminder of how the entertainment business tragically makes girls grow up way too fast and forces women to play sexy-dumb. She is a remarkable shapeshifter and woman of a thousand faces, particularly in comedy. The sexism of that designation aside, she has a staggering career of almost 300 films, starting at age 4. Sridevi, who worked in several film industries across India (not just the Hindi films that I usually write about here), is called India’s first female superstar. Chandra Mukhi, released in 1993, will introduce you to two of them. What does shine from this era is a handful of the actors. Fair enough: no one wants their favorites from their formative years criticized. My reactions to this chunk of cinema are unpopular opinions with some of my Indian friends who are my age. I find the Bollywood films of this era broad and garish, unsalvageable even by their soundtracks full of screechy pop. There’s also just the age-old question of never being able to account for taste, particularly as an outsider. This pattern didn’t last forever, and by the mid-90s, family dramas and big romances returned, looking flashy and grasping at “cool” thanks to the huge influx of foreign brands and cultural influences that followed the nation’s 1991 economic liberalization policy of reduced tariffs and deregulation. The film industry responded by paying less attention to attracting the ever-important family audience, focusing instead on relative gore and raunch to pull in young men.
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CHANDRAMUKHI SALMAN KHAN FULL MOVIE MOVIE
The explanation I’ve heard is that more and more people owned VCRs and bought or borrowed pirated tapes from local shops, getting their movie fix at home where there were no lines for tickets, prices were cheaper, and snacks were better. The late 1980s and early 1990s were a terrible time in Hindi cinema. If you like alien princesses, dance routines in bike shorts, and murder by picnic baskets, this is the film for you!